{"id":523,"date":"2020-01-09T21:35:21","date_gmt":"2020-01-09T20:35:21","guid":{"rendered":"https:\/\/dicoaffairedreyfus.com\/?p=523"},"modified":"2024-10-10T20:26:55","modified_gmt":"2024-10-10T18:26:55","slug":"jules-adler","status":"publish","type":"post","link":"https:\/\/dicoaffairedreyfus.com\/index.php\/2020\/01\/09\/jules-adler\/","title":{"rendered":"Jules Adler"},"content":{"rendered":"

Adler, Jules, <\/span>peintre fran\u00e7ais, n\u00e9 \u00e0 Luxeuil (Haute-Sa\u00f4ne) le 8 juillet 1865*, d\u00e9c\u00e9d\u00e9 \u00e0 Nogent-sur-Seine (Aube) le 11 juin 1952.<\/p>\r\n

<\/p>\r\n

D\u00e8s son enfance \u00e0 Luxeuil, Jules Adler manifesta un go\u00fbt pr\u00e9coce pour le dessin et le croquis. Cette vocation pr\u00e9coce le conduisit \u00e0 Paris o\u00f9 il entra en 1882 l\u2019\u00c9cole des Arts d\u00e9coratifs. De 1883 \u00e0 1889, il fr\u00e9quenta l\u2019Acad\u00e9mie Julian\u2008\u2013 dans l\u2019atelier de William Bouguereau\u2008\u2013 o\u00f9 il fit la connaissance d\u2019\u00c9douard Vuillard. Il r\u00e9ussit parall\u00e8lement, en 1884, le concours d\u2019entr\u00e9e \u00e0 l\u2019\u00c9cole des Beaux-Arts, o\u00f9 il fut l\u2019\u00e9l\u00e8ve d\u2019Yvon. En 1888, il d\u00e9buta au Salon des Artistes Fran\u00e7ais avec une petite toile r\u00e9aliste intitul\u00e9e Mis\u00e8re qui le fit remarquer de la critique. Ses envois au Salon o\u00f9 il exposa sans discontinuer jusqu\u2019en 1952 furent couronn\u00e9s d\u2019une m\u00e9daille de 3e<\/sup> classe (1895), d\u2019une m\u00e9daille de 2e<\/sup> classe (1898) qui lui valut d\u2019\u00eatre hors concours, et d\u2019une m\u00e9daille d\u2019honneur (1923).
L\u2019\u0153uvre de Jules Adler comporte surtout des sc\u00e8nes naturalistes consacr\u00e9es \u00e0 la rue (La Rue<\/em>, 1893, Castres, mus\u00e9e Goya ; Soir d\u2019\u00e9t\u00e9 \u00e0 Paris<\/em>, 1901, Gray, mus\u00e9e Baron Martin), au monde du travail (L\u2019Homme \u00e0 la blouse<\/em>, 1897, Besan\u00e7on, mus\u00e9e des Beaux-Arts ; Les Haleurs<\/em>, 1904, mus\u00e9e de Luxeuil) ou \u00e0 la mis\u00e8re, avec nombre de vagabonds et de mendiants (La Soupe des pauvres<\/em>, 1906, Paris, mus\u00e9e du Petit Palais). Durant la Grande Guerre, il fut envoy\u00e9 en mission par le minist\u00e8re des Beaux-Arts sur le front de Verdun, o\u00f9 il ex\u00e9cuta une masse de croquis et de dessins (1917). Du conflit, il tira aussi quelques peintures de La Mobilisation (1914, Belfort, mus\u00e9e d\u2019Art et d\u2019Histoire) \u00e0 L\u2019Armistice (1919, mus\u00e9e de Remiremont).
Pendant l\u2019affaire Dreyfus, Jules Adler signa la premi\u00e8re protestation<\/a> (7e<\/sup> liste) de janvier 1898, la protestation en faveur de Picquart<\/a> (2e<\/sup> liste), celle contre l\u2019amnistie<\/a> (L’Aurore<\/em>, 6 janvier 1900<\/a>). Mais son engagement ne se limita pas \u00e0 cette pratique p\u00e9titionnaire. L\u2019atelier parisien dans lequel il s\u2019\u00e9tait install\u00e9 en 1897, pr\u00e8s de la place de la R\u00e9publique (65, rue de Malte), devint un lieu de rencontre des dreyfusards<\/a> de son entourage. C\u2019est dans ce contexte qu\u2019en 1899 il fit la connaissance du peintre et dessinateur Th\u00e9ophile-Alexandre Steinlen<\/a> avec lequel il resta li\u00e9 \u2013 en 1936, Adler prononcera le discours d\u2019inauguration du monument \u00e9rig\u00e9 \u00e0 la m\u00e9moire de Steinlen (Paris, XVIIIe<\/sup>, square Constantin-Pecqueur). L\u2019engagement dreyfusard de Jules Adler s\u2019explique par son juda\u00efsme, mais aussi par l\u2019admiration de l\u2019artiste pour l\u2019\u0153uvre d\u2019\u00c9mile Zola<\/a>. De L\u2019Assommoir<\/em>, Adler tira en effet le sujet d\u2019un tableau expos\u00e9 au Salon de 1897 sous le titre Les Las<\/em> (Avignon, mus\u00e9e Calvet) et s\u2019inspirant de cette phrase de Zola : \u00ab Ils marchaient sans un rire, sans une parole dite \u00e0 un camarade, les joues terreuses, la face tendue vers Paris qui, un \u00e0 un, les d\u00e9vorait […] \u00bb.
Enfin, au Salon de 1899, au moment le plus vif de l\u2019Affaire, Jules Adler pr\u00e9senta un tableau intitul\u00e9 Le Chemineau<\/em> \u2013 l\u2019\u0153uvre fut aussit\u00f4t acquise par l\u2019\u00c9tat et attribu\u00e9e au mus\u00e9e du Luxembourg \u2013 que la critique dreyfusarde salua comme un Juif errant moderne, un ap\u00f4tre de la V\u00e9rit\u00e9 ou un soldat de la Justice parcourant la France avec sa pelle sur l\u2019\u00e9paule. En 1908, Jules Adler lan\u00e7a une souscription pour que f\u00fbt \u00e9rig\u00e9e sur la tombe de Bernard Lazar<\/a>e une statue, projet qui demeurera sans suite [voir note \u00e0 la fin].\u00a0
Apr\u00e8s l\u2019Affaire, Jules Adler con\u00e7ut quelques toiles consacr\u00e9es aux gr\u00e8ves et manifestations contemporaines. Apr\u00e8s avoir s\u00e9journ\u00e9 au Creusot, en 1899, lors des gr\u00e8ves ouvri\u00e8res qui se d\u00e9roul\u00e8rent chez Schneider. Au Salon de 1900, Adler pr\u00e9senta une grande toile (La Gr\u00e8ve du Creusot<\/em>, 1899, Le Creusot, \u00c9comus\u00e9e) montrant un cort\u00e8ge de gr\u00e9vistes o\u00f9 les femmes, les enfants et les vieillards se m\u00ealent aux ouvriers. Sur un fonds d\u2019usines, le d\u00e9fil\u00e9 avance, ponctu\u00e9 de drapeaux rouges, tandis que les visages du premier plan manifestent la col\u00e8re des gr\u00e9vistes chantant \u00ab L\u2019Internationale \u00bb. Ce th\u00e8me de la foule militante se retrouve dans une autre \u0153uvre de Jules Adler (La Manifestation Ferrer<\/em>, 1911, Gen\u00e8ve, mus\u00e9e du Petit Palais). Figure majeure du mouvement anarchiste espagnol, Francisco Ferrer Guardia (1859-1909) fut tenu pour responsable des \u00e9meutes anticl\u00e9ricales qui avaient \u00e9clat\u00e9 \u00e0 Barcelone en juillet 1909. Au terme d\u2019une parodie de proc\u00e8s sommairement instruit, Ferrer fut condamn\u00e9 \u00e0 mort et fusill\u00e9 le 13 octobre 1909. La nouvelle de cette injustice et de cette ex\u00e9cution souleva l\u2019indignation en Europe, et tout particuli\u00e8rement en France o\u00f9 Ferrer avait v\u00e9cu quelques ann\u00e9es plus t\u00f4t. En guise de protestation, deux manifestations furent organis\u00e9es \u00e0 Paris : l\u2019une, le 13 octobre m\u00eame qui d\u00e9g\u00e9n\u00e9ra rapidement en \u00e9meute\u2008; l\u2019autre le 19 octobre que repr\u00e9senta certainement Adler dans cette \u0153uvre. On reconna\u00eet au premier rang de la foule des manifestants, de droite \u00e0 gauche, quelques personnalit\u00e9s politiques de premier plan : Jean Jaur\u00e8s, \u00c9douard Vaillant, Marcel Sembat ou Arthur Groussier.
L\u2019\u0153uvre peint de Jules Adler fut salu\u00e9 d\u2019autres r\u00e9compenses, parmi lesquelles on note une m\u00e9daille d\u2019argent \u00e0 l\u2019Exposition universelle de Paris (1900), un dipl\u00f4me d\u2019honneur \u00e0 l\u2019Exposition internationale de Paris (1937) et le Prix Bonnat (1938). Il fut nomm\u00e9 professeur \u00e0 l\u2019\u00c9cole des Beaux-Arts en 1928. En 1933, sa ville natale lui consacra un mus\u00e9e dont il fut le premier conservateur \u2013 il l\u2019enrichira de ses propres \u0153uvres et de celles de ses amis ou \u00e9l\u00e8ves. Jules Adler mourut \u00e0 la maison de retraite des artistes de Nogent-sur-Seine.<\/p>\r\n\r\n

Sources et bibliographie : son dossier de la L\u00e9gion d\u2019honneur se consulte \u00e0 la cote : 19800035\/371\/49861<\/a>. Sur le projet de statue de Lazare, voir : ici<\/a>.<\/p>\r\n\r\n\r\n\r\n

Bertrand Tillier<\/em><\/p>\r\n

\r\n
\"\"<\/figure>\r\n<\/div>\r\n

 <\/p>\r\n

\"\"<\/p>\r\n

Note de PO.<\/em> Le projet demeura de statue de Lazare sans suite \u00e0 la demande de la veuve de Lazare et sans doute pour ne pas faire double usage avec le monument Lazare<\/a>, projet qu’avait lanc\u00e9 Pierre Quillard.<\/p>\r\n","protected":false},"excerpt":{"rendered":"

Adler, Jules, peintre fran\u00e7ais, n\u00e9 \u00e0 Luxeuil (Haute-Sa\u00f4ne) le 8 juillet 1865*, d\u00e9c\u00e9d\u00e9 \u00e0 Nogent-sur-Seine (Aube) le 11 juin 1952.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[63,9,64],"tags":[87,86,119],"class_list":["post-523","post","type-post","status-publish","format-standard","hentry","category-artiste-peintre","category-dreyfusard","category-haute-saone","tag-affaire-dreyfus","tag-dictionnaire-de-laffaire-dreyfus","tag-jules-adler-et-laffaire-dreyfus"],"yoast_head":"\nJules Adler - Dictionnaire de l'affaire Dreyfus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dicoaffairedreyfus.com\/index.php\/2020\/01\/09\/jules-adler\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jules Adler - 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